Simplest Gestures Are Often the Most Memorable

Below is a blog post from one of our upcoming authors George Couros! His book, Innovate Inside the Box, will be out August 2019!

When I was in Grade 4, my teacher, Miss Butler, ended the year by giving everyone a personalized card that wrote about the unique things she saw in me in the classroom.  As my parents owned a restaurant, she thanked my family for providing pizza for the class, and also acknowledged my sense of humor in the classroom (which was sometimes seen as a detriment in later grades).  I call it a “card,” but it was a cutout on thick paper of a blue smurf because I loved the smurfs (don’t judge).

Everything about this simple card still sticks in my head today. The thought of acknowledging my strengths while knowing things I was interested in, and tying it all together in one card. I won awards in elementary school, but those memories are heavily blurred at best. But I can remember getting that card handed to me, the feeling I had when I received it, and how much I cherished it after. These things always stick with me, and it was the reason that I did the same thing for my elementary classes when I became a teacher.  That one simple act of acknowledging me sticks out to this day.

This quote resonates:

Image result for a small gesture quote

When I talk to educators about the hopes for my daughter in a classroom, I share that she will walk into school feeling valued, appreciated, and you will try your best to not only develop her weaknesses but focus on bringing out her strengths.  These are things, no matter the mandate, Miss Butler proved a student could feel not only with how she treated us throughout the year but with that simple gesture.

What little things did you experience as a student that you remember to this day?

CULTURE BUILDING: ONE DAY AT A TIME

A post by Tom Murray – His newest book will be out November 2019!

Traveling the country and working with school and district leaders over the past four years has significantly altered my lens. Spending fourteen years in the same district in Pennsylvania was an incredible blessing. I worked with so many dynamic, kid-loving people. Over my tenure there, our teams had come together during some of the most difficult times and also celebrated together through the joys we experienced.

In reflection, the downside of spending my entire k-12 career in one district was that my personal education lens and understanding became very narrow over time. Even though I worked at all levels in that system, it was the same community, many of the same adults, and many of the same leaders, year after year. (Please know that I see nothing wrong with being in one district and absolutely commend those that pour their lives into a single place for their entire career. I also absolutely loved where I was for those 14 years.) For me, that community and those [amazing] people, were all that I knew.

My point in sharing my personal reflection is that today I see so many things that other educators experience regularly, that were much smaller spots on my radar. A few examples:
– Although I was a principal of two different Title 1 buildings; and both had significant levels of socioeconomic needs, now spending time in buildings where every child lives in poverty has given me more empathy for those who have far less and appreciate things that at times I took for granted in my work.
– Where I worked, technology had been plentiful for years. I received a laptop as a brand new teacher, in 2000. Today, some teachers are just receiving personal devices for the first time, while others still yearn for that day to come.
– Working with rural schools, which often lack the needed bandwidth to provide additional opportunities for students, puts connectivity much more on my radar than when leveraging technology worked pretty seamlessly for me as a teacher and administrator.

Although the list of where my lens has shifted could be expanded exponentially, there are also conversations I have with educators around themes that no matter what state I’m in, the demographics of the community they serve, or the budget in which they operate, are very similar in nature and where most things are agreed upon. Some examples include:
– The importance of teacher leadership.
– The desire for student agency.
– The incredible talents of our nation’s children.

So what’s one area that never seems to go out of focus? The importance of school culture.

I recently had the opportunity to spend time with one of my closest friends, Jimmy Casas. Jimmy is a long-time educator, and the author of the best-selling book, Culturize: Every Student. Every Day. Whatever it Takes. Jimmy is also one of the best community builders that I’ve ever met. As you saw in the video above, I asked Jimmy for one simple idea to build culture in schools.

Jimmy shares the concept of “two a day,” an idea he gained from colleague and friend Jeff Zoul, where he’d take two note cards each day and write an encouraging, authentic note to two different staff members. Essentially, Jimmy points to a simple way in which he was able to help own the culture in which he was a part.

The difficulty lies not in the fact that people agree that culture is vital to a school’s success. That’s pretty much a given. The difficulty comes when not every person owns the culture in which they are a part. The idea is easy. Abdicating the responsibility is also easy. Placing the blame and pointing the finger is easy. Owning one’s part in it all is what’s challenging.

A school’s culture is the culmination of every interaction that occurs within it.

So how do you build your school’s culture? How do you help create a culture where people want to be? When you walk into the faculty room, do you build the energy up? Or, do you suck the air right out?

It’s no secret that school and district leadership set the tone for the culture within it; but to attempt to make the case that they are the only ones responsible for it is amazingly misguided.

What can you do tomorrow to move your school’s culture forward one step? Who’s that person on staff that needs some additional encouragement? Who’s that student that can help lead the way?

Having been to so many amazing schools over the past four years, I’ve also come to realize that creating school cultures where people want to be does not happen by chance.Creating cultures that people want to run to happens when the adults in the building are intentional with their interactions…one day at a time.

Will your interactions tomorrow help make your school a place people want to be? Or, a place people want to run from? What’s your role in the process? How does your own lens impact your thought process here?

The good news? No matter what you feel the condition of your school culture currently is, tomorrow is the first step in the remaining part of your journey. My advice? Be intentional. Be real. Build capacity in others. Work to understand your internal bias. Own your role in the work and don’t abdicate the responsibility we all have in creating the schools where our students will thrive.

The work is hard, but our kids are worth it.

All for the kids we serve,

All Math is Play

A Post by Sunil Singh, co-author of Math Recess: Playful Learning in an Age of Disruption.

It is no coincidence that the deeper awareness of the value of play for our children is coming at the same time as the heightened attitudes towards play and mathematics. For a while, the pairing of those words generally meant trying to make math a joyful and fun experience. It seemed that play was serving a role that was limited to some kind of emotional outcome. Of course, having a positive attitude about math is critical, but the value of play goes much deeper than creating celebratory reactions from our students and teachers.

Much deeper.

And this depth is being charted at the same time as the general visibility of play in our society, ironically, is being eroded.

The number of minutes the average child now spends outside with unsupervised play is about 5 to 7 minutes every day. In the book “Math Recess: Playful Learning in an Age of Disruption”, the childhoods of Chris and I are were written with intentional detail–to paint a landscape of vivid, generally adult-free play. Nobody was counting, but pretty sure that our unsupervised play was clocking in at hours/day. It probably would have been a shock to ourselves to have this playtime measured with an egg-timer.

Play is fun. Play is integral to the social, emotional, and academic development of children.

Play is also our companion for our entire journey of mathematics. Whether that lasts for only until our teenage years or for the rest of our lives, play will never leave our side as we interact with mathematics. Play gives us permission to tinker, dabble, poke, prod, etc. with every math problem or idea that will appear before us.

It is actually more than permission, it is a historic and wondrous call–for every K to 12 student and teacher–that mathematics is something we must do for the sake of the moment of doing.

We cannot worry or entertain the idea of being “correct” as the goal. If that becomes the goal, as admirable as that it might be, we know that many students–and teachers–will exhibit anxiety and stress. These are not reactions that exist in play.

Dr. Peter Gray, who has written many books on Play, outlines the basic criteria for what constitutes the richest ideas of play.

(1) self-chosen and self-directed;

(2) motivated by means more than ends;

(3) guided by mental rules;

(4) includes a strong element of imagination

(5) is conducted in an alert, active, but relatively non-stressed frame of mind.

The purest of ideas of mathematics have had each and every one of those elements since mathematics was discovered. It has NEVER veered away or short-changed any of those five points above. Unfortunately, the mathematics that most of us have experienced and what our students experience has been a betrayal of play.

Thankfully, we are in a rebirth of play in math education. More of us are now doing mathematics in ways that honor the history of how mathematics evolved. And, sharing our most playful ideas about mathematics is naturally having the best social ramifications–we are forging friendships.

The Math Playground is being built. All are welcome and all belong.

Want to read more about making the space and place for play in your mathematics class? Check out Math Recess: Playful Learning in an Age of Disruption

EMBRACE YOUR INNER LEADER

A Blog Post by Elisabeth Bostwick- Author of Take the L.E.A.P.

Countless educators aim to inspire, be the change and exude positivity. I’m grateful for my connection to educators who exhibit this as it’s what encourages others to persevere in the face of adversity. As someone who has always embraced this concept myself, I tend to find it challenging to know how to share my voice on wrongdoings best. Afterall, positive people stick to positive messages, right? However, we cannot stand to glaze over apparent dysfunction or bow in fear to hierarchical models of leadership when we know something is blatantly wrong and ultimately hurting individuals. I believe that we can discuss semi-controversial topics while identifying creative ways to address them. Exuding positivity, as well as demonstrating professionalism is essential to me as an educator. Due to my deep sense of integrity, I’m also driven to be an agent of change, and my integrity makes it nearly impossible to ignore that there’s an enormous elephant in the room that exists for many educators.

Blogging and being connected as an educator has provided an avenue for us all to share our voice. Too many opt to talk behind closed doors while keeping their heads down instead of stepping out and addressing the elephant. Together we can creatively seek solutions to move forward or ways to change the course of our ship when we realize the time has come.

For countless years I have identified numerous avenues to reach all kids and foster curiosity, creativity, critical thinking and joy in learning. I believe in this wholeheartedly, and my commitment is unwavering. I’ve been incredibly fortunate to have the support of many administrators, teammates, colleagues, and my professional learning network. These individuals have carried me through difficult times without necessarily realizing that they have. We’ve celebrated highlights and encouraged one another more times than I can count.

To be transparent, I’ve also experienced my fair share of mistrust. As someone who always seeks to give the benefit of the doubt and aspires to see the good in every situation, truth be told, some individuals allow their ego or personal agendas to dictate the course our ship sails. Egos and personal agendas cause the ride to feel rough and unsettling. In turn, it leaves others scrambling to figure out how to guide the ship best. Historically, I’m a ‘sail adjuster.’ When the wind blows in an unexpected direction or hits without warning, I merely adapt and move on, without missing a beat to provide students with the best learning opportunities. If by chance the wind batters the sail causing rips and tears, I not only adjust but make necessary repairs to remain on course. I’ve repaired my sail more times than I can count, and each time it seems to become stronger and more vibrant than before. After all, each gust is an opportunity to learn that encourages growth.

Situations exist where educators have exhausted every option to continue moving forward even in the most challenging situations. If the damaging effects of the wind grow so strong that the sail is irreparable, it may be time to either navigate a different course by joining another crew or even sailing on your own. Whether you’re adjusting, repairing, or replacing your sail, I hope you employ strategies that act as flint to ignite passion and exuberance to sail further than you ever have before.

Anyone of us can step up and lead to cultivate a healthy culture. Perhaps we don’t have complete control over every decision we’d like, but that’s not to say that we lack impact. Leadership is a title that can be held by anyone who has influence. Being a leader is not solely meant for those with an administration degree. Jimmy Casas, author of Culturize, writes,

“You don’t have to have a leadership title to be a leader. You just have to lead. When you have a disposition about you that others immediately recognize and sometimes want to emulate, you are a leader. When you draw people in and make them want to be around you, you are a leader. Maybe you have a unique skill set that people quickly notice and appreciate, or maybe it’s your words or tendency to notice the best in others that inspires the people around you to want to be better.”

While some individuals seek to foster leadership skills to develop capacity in others, I tend to think that there are instances where some people are threatened by those who demonstrate leadership without the ranks of title or degree. In some cases, it appears more comfortable to hold individuals at arm’s length to silence their efforts and even attempt to belittle through comments spewn to foster a sense of insecurity. Fortunately, we own our emotions, and while mistrust may develop, how we choose to feel is ultimately up to us. Some may think it’s crazy, but I’m grateful for the opportunity to stand staring in the eyes of the elephant in the room while the wind tears at my sail. Both have taught me countless lessons that serve as real-life experience. From these experiences, I’ve developed more profound empathy and compassion for others. While there are numerous leadership books out there such as Culturize, Lead Like a Pirate, and Start Right Now that provide phenomenal tips and in-depth strategies, here are just a handful of the leadership tips I’ve learned firsthand.

Embrace your inner leader by:

  • Committing to relationships first, next, and always
  • Nurturing a culture of yes
  • Adding-value to those you work alongside by frequently recognizing their efforts
  • Seeking ways to give back in an effort to show appreciation for the contributions made by individuals
  • Celebrating! Celebrate accomplishments, persevering through failures, risk-taking, awards or recognitions as a school and district to demonstrate appreciation
  • Spending time in classrooms with learners (as an administrator) serving alongside teachers when possible
  • Employing the use of Pineapple Charts so that teachers can visit and learn from colleagues
  • Tearing down fortress walls to allow for open conversations between teachers, administrators and the Board of Education
  • Trusting that individuals have the best intentions, this fosters deeper levels of trust
  • Empowering teacher voice… Scratch that… Developing shared OWNERSHIP amongst all stakeholders
  • Being transparent and authentic by walking the talk
  • Simply apologizing for wrongdoings even if unintentional

I know this list could continue and I’m happy to add on over time. In closing, it’s vital that we ALL embrace our inner leader. Every person is facing some kind of battle; you may be the difference maker that rekindles passion within an individual who has lost their why, or eases the feeling of pressure when the going gets tough. With teacher shortages in addition to fewer students enrolling in teacher preparatory programs, collectively we need to cultivate a school culture that retains quality teachers. As leaders, let’s respectfully address elephants and create sustainable change. Together we can collaboratively navigate the waters to support one another along the journey.

If you want to learn more about embracing your inner leader and how to Take the L.E.A.P., check out Elisabeth’s book on Amazon!

Training vs Learning

A blog post by Katie Martin

I recently shared this graphic on Twitter, which resonated with many of you and I wanted to share an excerpt from my book, Learner-Centered Innovation, where this graphic came from.

A school leader shared with me that, although she felt her school offered ample professional development, she was frustrated that they hadn’t seen a dramatic shift in the classrooms. She had hoped to see an increase in students solving authentic problems and using applications for deeper learning experiences. Instead, students used technology to upload and share information or to complete assignments that looked very similar to the work they had done without technology. In response, I asked the leader to describe a typical professional learning day. She told me that, in every after-school meeting, she showed teachers how to use different apps; in fact, she constantly shared tips on new apps and tools she came across. What puzzled her is that the teachers seemed encouraged in the meetings and even shared their own ideas.

As we dug deeper into why the training wasn’t translating into the classroom experience, she realized that her teachers were doing exactly what she had modeled for them: they were using new tools to do the same activities and teach the same content they always had. Although they liked learning about new tools, they hadn’t been modeled or used in a way that connected them to student applications for different or deeper learning.

I always cringe when I hear the word training used to describe educator professional development. Training happens to or is thrust upon people. Learning, on the other hand, is a process of developing knowledge through authentic and relevant experiences. If professional learning is ever going to be effective in bringing about change for students, it must shift away from something done to educators toward a process of creating a culture of continuous learning cycles and problem solving. There is a time to learn new skills or specific programs, but professional learning can’t end with information; content is only the beginning. The following table depicts common experiences that differentiate training from learning.

Shifting the Focus from Teaching to Learning

In education, we have a lot of systems that run smoothly because we have been doing them for years. The problem is that when we work with the same people, doing the same things, ineffective practices are rarely challenged or changed. Traditions and habits don’t inspire new ways of thinking for educators or for students. Here is an example, and I apologize to any English teachers reading this, but I have been in too many conversations about whether The Outsiders is an eighth-or ninth-grade book and have mitigated arguments between seventh-grade teachers about whether or not to teach Farewell to Manzanar. And if you know English teachers, these conversations can become heated. This same scenario plays out in many contexts, whether it is the play that is done every year or the unit that has to be taught in the fall because it has always been that way. One of many problems with these arguments is they are about territory and preserving the status quo, not kids, what they are learning, and why. If the comfort and preferences of adults become the priority rather than what’s best for learners, students miss out on powerful learning opportunities connected to their goals, questions, and interests.

As a result of doing what had always been done, when I was the literacy coach for our school, we noticed that many students were going through their day without the opportunity or expectation to read. Many students were performing below grade level on standardized tests and struggled to read the textbooks and assigned novels. Attempting to support students, teachers had resorted to creating PowerPoint presentations to summarize and convey key facts; books were read aloud, and teachers played recordings of novels so everyone could follow along at the same pace while short passages and multiple-choice worksheets were widely used to assess comprehension. We came to the realization that, if our students never read on their own or made meaningful decisions for themselves in school, they were going to struggle with these things out of school. While we grappled with this very real issue, our professional learning consisted of disparate events that offered no help. The English language arts department wanted to do better for our students, but I also knew that if they knew a better way, they would have been doing it already. We needed to learn new strategies to improve, and we had to shift the culture to focus on our desired student outcomes and align how we were designing and facilitating the learning experiences.

To achieve our goal of increasing reading practice and ultimately literacy, our English department had to shift our meeting structures from examining what we wanted and what we were teaching to reviewing student work to find out what they were learning. We wrote a proposal to our principal to purchase a copy of the book 7 Strategies for Teaching Reading for each teacher in our department and requested stipends for the teachers to meet regularly after school for eight weeks. The total cost of our request was less than $ 1,000 ($ 100 per teacher and $ 20 for each book). We read the book and came together after school to engage in collaborative conversation that allowed teachers to experience the new strategies in their own reading and learning. We then planned ways to support students in their diverse classes. Each week, we independently read about a new strategy, rotated modeling lessons for our colleagues, and collaborated on a plan to put the new ideas into practice. One distinction here is that we did not create a plan for one specific lesson; we thought about how to integrate the new strategy across various lessons and develop multiple iterations of the strategy to inform our practice. To ensure we were working to close the knowing-doing gap, we partnered up each week to observe each other and learn from the variety of methods we were each putting into practice. At the beginning of our weekly meetings, we shared what we were learning. The open reflection not only allowed us to create a culture of transparency in our team but also pushed us to try out new ideas and build off one another’s successes and challenges.

We shifted our conversations from what content and page number we were teaching that week to what we were learning and how we could impact student outcomes. This also meant that we had to bring evidence of learning from all students connected to our desired outcomes. We had to move beyond the spreadsheets and percentages to actually understand what was happening in our classrooms. We spent our time digging deep into our problems of practice, looking at student work, and interrogating our practices to ensure we were truly meeting the needs of the learners.

While our English department worked together to create better learning experiences for our students, reading about and discussing new ideas was critical for our growth. As we explored these new approaches and ideas, we began to rethink the traditional teaching of a class novel. We created more opportunities for choice and designed opportunities for students to grapple with text to make sense of it. We moved from designing learning experiences based on the content and page number we were teaching that week to how to design learning experiences that empowered our students and helped them develop the skills to become better readers, writers, and speakers. By being willing to make changes in the way reading and literacy had always been taught, we improved outcomes for our students.

Learner-Centered Innovation

Learner-centered innovation is not just about creating something new but doing something that yields better outcomes because of what we have created. With that in mind, we asked questions like, “How do we know that our idea is working?” and “What is the impact on desired student outcomes?” When we focus our efforts on what we want to accomplish, not simply the metrics or data from an isolated test or standards but on the type of student we want to create, we might find that our meetings and our learning experiences become more impactful.I would love to hear about examples of what you are doing to create job-embedded cycles of professional learning and the impact it is having!

To learn more about making the shift from training to learning, check out Katie Martin’s book Learner-Centered Innovation.

Seven Stages in Moving from Consuming to Creating (A Post From John Spencer)

I used to believe that creativity began in the mind. Ideas popped in and people responded externally by making things. I would get frustrated when students came into class having only used technology to consume rather than create. I would beg them to take risks creatively. Make something different. Be bold. Branch out even if you screw up. Just be bold.

However, things began to change when I had my own kids. I noticed that from a young age, creativity was inherently social. It often began by seeing, hearing, and experiencing first. Often, it included copying something that an adult was doing. As the kids grew older, I noticed a similar pattern. Though they were wildly creative, each one of them went through a process of noticing, exploring, copying and finally finding their own way.

It has me thinking about my own experience with creative work. When I first got into drawing, I copied the styles of other artists. When I first got into poetry, I copied the style of my favorite poet. When I first wrote a novel, it was essentially fan fiction — albeit at a time when no one knew that term. I have noticed similar trends among students. They often go through a phase of copying and mash-ups that occur before creating something truly original. As a middle school teacher, I saw this trend in art class, wood shop, in writer’s workshops, and in STEM labs. Now, at the university level, I see this as a progression that often happens as students learn the art of teaching. They often observe and copy before they move into creating from scratch.

The Importance of Critical Consuming

Like I mentioned earlier, creativity doesn’t always happen with a flash of inspiration. When you look at makers, they are often critical consumers of the same type of work they create. Chefs love great meals. Musicians listen to music. Architects often visit new cities and tour buildings to find inspiration. There’s this ongoing cycle of critical consuming, inspiration, and creative work. As they create more, it leads to a deeper ability to consume critically, where they find more inspiration, and the cycle continues.

This is why I reject the idea that students should be creators rather than consumers. Consuming isn’t inherently bad. However, what we want are for students to be critical consumers so that they can become makers. And often, this requires a journey from awareness through critical consuming and then eventually creation. For this reason, I’d love to share the seven stages from consuming to creating that we featured in the book Empower

The Seven Stages from Consuming to Creating

I’ve been thinking about stages that I notice as students move from consumers of media to creators of media. I admit that this is not very scientific. There might be a better model out there that explains this phenomenon. However, here are seven stages I see students go through as they shift from consuming to creating:

#1: Awareness

Sometimes this is a passive exposure. You hear a style of music being played in the background and it seems unusual. After a few months of it, you find yourself thinking, “I kind-of like this.” Next thing you know, you’re choosing to listen to indie-fused techno-polka. Or maybe not. Other times, it’s more direct. You watch a particular movie or you see a production or you read a book and suddenly you’re hooked. Note that this is why I will never fully embrace completely choice-driven learning. Sometimes students need to be exposed to new media, topics, themes, and skills. And, the things that initially seem odd become intriguing and that when you move into the second stage.

#2: Active Consuming

In this phase, you are more likely to seek out the works that you are consuming (whether it is art, music, food, poetry). You aren’t yet a fan, but you start developing a taste for a particular style and you find yourself thinking more deeply about whatever work you are consuming. Notice that the term “consuming” is pretty loose here. A student might “consume” by playing suddenly getting into a new game they learned in P.E.

Sometimes this phase is more focused on the aesthetics and sometimes it is more focused on practical utility. A student might think, “Wow, that’s actually pretty fun” or she might think, “That’s actually kind of useful.” Either way, they are actively seeking out and consuming in this phase.

#3: Critical Consuming

Here, you start becoming an expert. You see the nuances in both form and functionality. It’s in this phase that your taste becomes more refined. You begin to appreciate the craft involved in making what you are consuming. You are able to distinguish between good and bad quality. When they are consuming media, this is a phase when they are truly becoming adept at how to find accurate and useful information.

#4: Curating

After becoming an expert, you start picking out the best and commenting on it. You collect things, organize things, and share your reviews with others. In this phase of curation, you are both a fan and a critic. curation goes beyond simply collecting items online. The best curators know how to find what is best by immersing themselves in a niche area while also making surprising connections between ideas in seemingly unrelated worlds. Curators find specific excerpts that are relevant at the moment but also timeless. They can explain the purpose, the context, and the necessity of what they are citing.

#5: Copying

This is the part that drives me crazy as a teacher. After developing a level of expertise on a particular work (or artist or style) students will literally copy it. So, a student who is an amazing artist insists in drawing, line-for-line, a manga work. A student who geeks out on bridges decides she wants to make an exact replica of another bridge. A student gets into food and never deviates from the recipe. Until . . . suddenly something changes. A student branches out and modifies the copycat work. There’s this spark of creativity that happens as they start to think, “Maybe I could try something a little different.”

This, in turn, leads to the next stage.

#6: Mash-Ups

Sometimes this looks like collage art. Kids combine elements from various favorite works that they have curated and make something new. Sometimes this looks like fan fiction. Other times, it might mean taking an idea from one area and applying it to a new context — which can often look incredibly creative. So that kid who is copying manga begins to experiment with a few styles and adopt a visual style from multiple sources. That writer whose work seems derivative starts to borrow structures from multiple authors in unique ways. Over time, students begin to find their own unique voice and it leads up to #7.

#7: Creating From Scratch

This is the stage where students start taking the biggest risks and making things that are truly original. While the ideas are often inspired by the previous six stages, this is where a student finds his own voice. It’s the stage where a student grows in confidence to the extent that she is able to take meaningful risks.

The Journey Varies from Person to Person

So what does this look like in a classroom? When I taught middle school, I had students explore and critically consume video games. They debated which games were the best and why. From there, they moved to copying examples of games on Scratch, then doing modifications and mash-ups of games. Finally, they moved to a place where they created something new on their own.

I admit that these aren’t lockstep stages. For example, when he was younger, my middle son got really into Pokemon, and went from the second stage (active consuming) into the third, fourth and fifth stage simultaneously. It wasn’t incremental. It was more of an “all at once” thing. Similarly, people sometimes begin at the second stage by intentionally seeking out a new form of art to consume (second stage) with a critical eye (third stage).

Other times, people skip stages. Someone might go from falling in love with a novel (second stage) to creating fan fiction (sixth stage) without ever copying anything (the fifth stage). On the other hand, I have almost always skipped the mash-up stage, preferring to move from copying a particular style to jumping out and finding my own voice.

This isn’t a formula so much as a general framework that I have used to help me remember that the jump from consuming to creating is more often a journey than a jump. However, the key takeaway is that students need time and opportunities to consume critically and walk through these phases on their own.


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To read more from John Spencer, check out his amazing book Empower (co-authored by A.J. Juliani).